Excerpts from a long article from the Chicago Sun-Times that shines some light on the turnaround going on in the Quad Cities. Good to hear the Quad Cities finally getting some press because it's been down and out for so long. If it's been a while since you've been to the Quad Cities, you should make an effort to check out what's going on there. It's defintely a more blue collar, soulful and historic feel than what you'll find in Des Moines.
All signs point to Quad City rebirth
August 1, 2004
DAVENPORT, Iowa --The warmth of blues slide-guitarist Missis-sippi Fred McDowell reverberates in the new River Music Experience. The museum is in a cozy red sandstone building in downtown Davenport, a block west of the Mississippi River. McDowell's black-and-white picture was made by noted blues producer and manager Dick Waterman and it is part of his traveling show "Between Midnight and Day: The Last Unpublished Blues Archive."
McDowell stares straight a-head and says:
"Well, now, look a here."
You can say the same thing about the Quad Cities.
The comeback of the Quad Cities (Davenport and Bettendorf, Iowa, and Rock Island and Moline, Ill.) is sparked by downtown developments under the $113.5 million River Renaissance program. Well, now, look a here:
**The River Music Experience (RME) traces the movement of roots music along the Mississippi River from the 1800s through today and tomorrow. The $9.1 million museum is a small-town version of the Experience Music Project in Seattle. (They are not formally related.] The two-floor RME is in the former Von Maur department store in the Redstone building, erected in 1872 at Second and Main streets. The museum's floors are connected by a Southern-style grand staircase (and new elevators).
**The newly renovated John O'Donnell Stadium, along the river and east of The Centennial Toll Bridge that couples Davenport with Rock Island. O'Donnell Stadium is where the Swing of the Quad Cities plays Midwest League baseball. The $13.8 million renovation has turned O'Donnell Stadium (named after a local sportswriter) into one of the crown jewels of minor league baseball. The Mississippi rolls beyond the outfield wall. The long summer Iowa sun sets behind home plate. The Centennial Bridge overlooks right field and when the bridge is illuminated with twinkling lights at dusk, it truly takes you to another place.
The newly named Swing of the Quad Cities (formerly Quad City River Bandits) honors Davenport's jazz heritage, notably cornetist-pianist Leon "Bix" Beiderbecke. Bix was born in 1903 in Davenport and lived here until he was 18 when he attended Lake Forest Academy. I made the 170 mile drive to Davenport last Saturday because it was "Bix Beiderbecke Bobble Head Night" at John O'Donnell Stadium.
* The Figge Art Museum (formerly the Davenport Museum of Art) is Iowa's oldest regional art museum. A new $34.4 million museum is going up a block south of the River Music Experience and is slated to open next July. The Figge Art Museum (FAM) is designed by British architect David Chipperfield. The FAM's Mexican Colonial painting collection is one of the largest and most important of its kind outside of Mexico City. The museum is named after the V.O. and Elizabeth Figge Foundation, a Davenport family that earmarked $12 million to the new project.
Downtown Davenport offers the opportunity to park your car in one spot and walk along the Mississippi River, walk to the ballpark and walk to the music museum. Centro is a privately leased full-service Italian bistro with indoor and outdoor dining adjacent to the main level of the RME. Centro is also anchored in the Temple for Performing Arts building in downtown Des Moines. Although last weekend was unseasonably cool, there was a downtown vibe -- it was also the weekend of the 33rd Annual Bix Beiderbecke Memorial Jazz Festival.
The museum centerpiece is an 81-foot-wide interactive multimedia "River Wall," divided into six video segments covering the 2,552 miles of the Mississippi River. [New Orleans, Delta, Memphis, Upriver, Blues in Chicago, Beyond the River]. The River Wall narration is provided by Chicago bluesman Billy Branch.
I stood on a mat in a dark theater behind a riverboat helm at the New Orleans section of the wall. I pointed a wand to a screen and discovered old musical friends like Lee Dorsey, Irma Thomas and the Neville Brothers. I continued to click the wand to find Dorsey singing his 1966 hit "Workin' In a Coal Mine" from what appears to be a teen television show.
Later on down the museum hall, I had the opportunity to amuse the young volunteer dudes by spending so much time looking at the S.S. Capitol, a 12-inch scale model wood and plastic replica of the Streckfus Steamboat Line excursion boat that played a big role in the movement of music along the Mississippi.
During the summer months between 1920 and 1945 the Capitol operated out of all ports between St. Louis and St. Paul. The steamboat would play different towns during the day and roll to the next city at night. (During the winter, the steamboat ran out of New Orleans). The steamboat could hold 2,000 people and they all could fit on the dance floor. I asked one of the young men if I could take a picture of the boat. He snickered and asked "Are you a model boat fan?" and he and his pal chuckled.
Maybe I should stop wearing black socks with summer shorts.
Ragtime pianist Fate Marable began his riverboat career in 1907 playing on the Steamboat J.S. part of the Streckfus line. A taskmaster for perfect performances, Marable's musicians referred to a position in his band as "Going to the Conservatory." Louis Armstrong and Warren "Baby" Dodds launched their careers as members of Marable's band. They used the the excursion boats as training grounds. The musician's set lists included waltzes and rags. It is believed Bix first heard Armstrong on board the Capitol in Davenport.
Cruises diminished as a result of the Depression and by 1940 excursion trade winds were stilled. During World War II, the Coast Guard commandeered the excursion steamboats for government and military service. The Capitol was dismantled in 1945.
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Due to the field's proximity to the river, games occasionally got flooded out at O'Donnell Stadium. Davenport never built a concrete flood wall along the Mississippi in its attempt to develop a parklike waterfront.
Wulf was born in Davenport and never left. Wulf and her husband, Frank, celebrate their 50th wedding anniversary in September. Wulf's father, Alfred Kohn, worked for the Rock Island Railroad for years and then became a bookkeeper at a Davenport hardware store.
Wulf has seen her city change.
"They talk about bringing people to downtown Davenport, but there's nothing to do when they get here," she said. "No shops. Ladies, you know, we love to go into a nice shop and pick up a dress. You can't find one. They had two downtown and they both quit." The stores might have gone under, but Davenport is getting dressed up again. You can feel it in the air and hear it along the river.









